November 22nd, 2010
It Gets Better – Love, Pixar
I haven’t been able to post much on the website these days due to work load. However, today I wanted to take a minute and post this piece made by my co-workers who I respect them very much. While this is not film or animation related it pretty much relates to every single one of us.
I’ve been hearing about so many tragic news regarding this issue, it’s truly heartbreaking. Bullying is unacceptable. Unfortunately, it comes in our lives in many degrees, shapes or forms. Ultimately it’s up to us to stand up. But it’s so beautiful when people help other people like in this video. To anyone that’s struggling by what other people may say or do to them, I’d encourage them to take a minute to watch this beautiful, honest and very uplifting special message.
Carlos
October 7th, 2010
Brendan Body’s Blog
I recently happened to find this wonderful blog with some great tutorials/analysis on weight/anatomy and physicality. Be sure to check it out.
C.
October 3rd, 2010
A Bottle
Be sure to check this fantastic Stop-Motion shortfilm by Kirsten Lepore.
C.
September 1st, 2010
Vancouver Spark Animation Festival
For those in the area the weekend of Sept 11-12th, I’ll be up in Vancouver, Canada representing Pixar with Day&Night’s Teddy Newton at the Spark’s Conference/Festival. I’ll be talking about my work on Toy Story 3.
Spark 2010 Conference/Schedule
Carlos.
September 1st, 2010
AnimationMentor Student Showcase 2010
I wanted to congratulate the AM Students whose work got selected for the 2010 Showcase. They have worked really hard. I’m very impressed with their work.
AnimationMentor Student Showcase 2010
Enjoy.
Carlos
August 13th, 2010
Rowan Atkinson – Invisible Drum Kit
I found online what I still consider one of the most inspirational things I’ve watched and owned as an animator. I found a VHS version of this back in college, and on and off I’ve watched and studied this clip so many times. Every time I’ve watched it, I’ve found something new and that says something. From an animation point of view, this clip has about everything I love about what it is that we do. Totally recommended.
Things to watch for:
- Timing: It creates expectations but surprises you in amazing ways. Wonderful texture/rhythm throughout the whole thing. Some repetitions contrasted by an increase in the intensity of the performance, but adding entertaining beats & accents.
- Leading the eye: He’s dealing with invisible objects, yet through his body language/posing you know exactly where to look at.
- Expressions: It’s Mr.Bean, so you know you’ll have some unique facial expressions worth studying no matter what.
- Choices/ideas: Some of the choices throughout are original.
- Subtext: Some great bits throughout. Once he tests the drums, the expression of joy he does is brilliant. Almost like saying “oh boy…”.
- Keeps you watching: event when the drum sticks fall, he finds entertaining ways to keep you watching and keep the beat/rhythm going as well.
Some of this stuff may seem repetitive, but sometimes I really feel like I have to re-watch things like these to get inspired again. Enjoy.
Carlos.
July 28th, 2010
Bishop 2.0
Yesterday we announced our Bishop 2.0 rig for the AnimationMentor students. We wanted to take seriously the feedback from the Studios in providing a more flexible rig that would allow students to customize their characters in a lot more ways than they were able before. See the movie below for more information.
I wanted to acknowledge the incredible job that Alexiss Memmott, Taylor Mahony, Kevin Freeman, Keith Ribbons and Brandon Beckstead have done over the last few weeks.
Carlos.
Ps: the animation piece at the end of the video was done by Alumni student Brandon Beckstead.
July 17th, 2010
Clara Bow Face Reference
I recently found reference of early actress Clara Bow. Highly recommended to study subtext and inner monologues for animation. Here is a link with great stuff in it. Thanks to Dhar Jabouri for finding this. Enjoy.
Carlos.
July 15th, 2010
Best Day Ever
Still recovering from Sunday. One of the most fun, most intense days of my life.
Enhorabuena a todos los españoles. Mas que orgulloso de ser español.
Carlos.
ps: our friends at Disney Spain put this together
July 5th, 2010
Using Cinevate rails/dollies.
So back to the topic of Shortfilm equipment we used on the live-action short, the other types of dollies we used came from another company, Cinevate. Thanks to Dennis Wood/Hubert Den Draak from Cinevate, we used both their rails and their Dolly-Ballare. Their rails are seriously strong, and could hold the camera, plus adaptor, ARRI lenses, mattebox, ff, etc with no problem.
Once again with the 3D help of my friends Edward Robbins/Eduardo Martin in providing models/sets, my DP Tiffany Taira and I used 3D animatics to figure out what sorts of shots we were going to use, and why were they important that we used a dolly move. Having dollie/track moves really adds a bit of production value to any film as long as it’s not overdone. As I mentioned before, moving the camera can make things more distracting than beneficial except for when they serve a purpose. This became even more important when working with kids because setting up dolly/tracking shots was time consuming and we only had 7 hours a day to get over 15 setups completed…so at one point we need to know exactly which moments in the short are we going to need a camera move and why.
In some of the shots we used the Cinevate rails I had previously purchased on my own about a year earlier. Here you can see how they were used, including tests and animatics.
Then for some key scenes, we needed a much longer, stronger and more stable dolly but our budget didn’t give us the flexibility of purchasing equipment. So Dennis/Cinevate helped us out for a weekend to get some shots we needed. We used their Dolly-Ballare. We put it together the previous week to the shot, and by Saturday/Sunday we were using it and getting great stuff with it.
Here below are a couple of production photos taken by my friend Bob Roden who wrote the story and was also script supervisor on the set. On the pictures are DP Tiffany Taira, Camera operator Jason Kim and camera assistant Grace Thompson.
For those looking into live-action independent shorts, this is another one of those very affordable/well constructed tools I’d love to recommend. Thanks again to Dennis/Hubert for their help on our short. Very very appreciated.
We are currently finishing editing the short, and learning great deals through it. It’s been a ton of work. It really is true that while this is really fun, is also really hard. So having some key people help us in the process has been great.
Carlos.
